Madge can be extolled for her longstanding support of the LGBTQ+ community. An entire act was dedicated to the AIDS epidemic of the 1980s with hundreds of floating pictures showcasing those affected by the virus.
Known for his outspoken views on politics and simply being a decent person, Isbell shined on “Save the World.” The song delves into the Uvalde school shooting and parents’ life mission to keep our children safe.
Imagine a songwriter pairing with four vocalists who bring their unique styles and personalities, creating a sort of Myers-Briggs personality types set of songs. This would be that.
The band never really got off the ground outside of the small farming community of Norborne, Missouri about an hour east of Kansas City, but what a story DePugh weaves.
“She’s My Girl” is a gem of a tune and definitely the antithesis of a DBT song, a prototypical, straightforward power pop gem, reminiscent of The Beatles’ “From Me To You.”
The band masters a 60s feel but succeeds in a 21st century sound, wonderfully produced. They simultaneously straddle the 20th and 21st centuries with no smoke or mirrors to be found.
The psychedelic popness on the single is evident and there are hooks aplenty. Make no mistake, this is no throwback sound, but a relevant 21st rock song.
Berninger did acknowledge the band’s sadness as this was the final night touring with The Beths. He told fans, “We love The Beths and will miss touring with them.”
Intertwined with favorites from the first three albums were some ringers from the new release. The band has evolved in so many ways on Salami! and prove to be at their rocking best live on stage.
No other band from that era created such a cross-cultural identity, and a successful one at that. The Allman Brothers’ sound resonated with a nation working through and healing from the Vietnam War, the Civil Rights Movement, and a country in crisis.
NO EARPLUGS 