New Release: Bleeds by Wednesday (Dead Oceans) The highly anticipated sixth studio album by Asheville, North Carolina, alt-rock band Wednesday has arrived, and it’s spectacular. The band’s sound is often described as a blend of alt-country and Shoegaze. If you’re unsure what such strange bedfellows might sound like, […]
The boys have matured and evolved since their beginnings, with Morrell boldly taking his guitar into new experimental areas. Jack efficiently sharing rhythm section duties with brother Mike, who handles his mighty bass and belts out songs with even stronger vocals.
R.E.M.’s “Perfect Circle” from their debut LP Murmur in 1983 is adapted shiningly, with special care in reproducing the original piano parts, but heavier on the rhythm section. From an R.E.M. fan, it’s a worthy effort.
“Club Shadow” serves as the perfect remedy for those suffering from low energy or a weak heartbeat. This coal burner is designed to get fans on their feet, with DuBois encouraging, “You belong.” It’s a lively rocker.
Finn skillfully navigates the feelings of love and loss. The album title may reflect a sense of projection, as his universe (and personal modus operandi) thrives on hyperactivity.
On the title track “Road to Redemption,” Mudcat is clearly sharing personal life lessons when he sings, “My tribulations you may not see / I’ve been through hell I’ll be redeemed,” all the while mixing in flashes of that Bo Diddley beat.
As debut albums go, ‘Twenty Seven’ leaves an unforgettable impression on listeners. Skillfully produced by Duane Lundy (Sturgill Simpson, Jim James, Ringo Starr), the tracks flow as gracefully as Taylor’s fluid onstage movements.
Famous for that neo-psychedelia sixties sound, the songs here are painstakingly relevant in 2025. The first single, “Invisibilia,” is a tune about that imaginary girlfriend we’ve all have (right?).
Jourgensen’s style has not changed, rife with Goth over- (and under-) tones, the singer is a singular presence. His voice still resonates as it has for the past four decades and the musicians were very tight.
It was a good vibe in the Roxy. A wide range of ages were on display, including a surprisingly large percentage of Gen Zs in attendance.
NO EARPLUGS 