Ministry Get Squirrely in Atlanta
Jourgensen’s style has not changed, rife with Goth over- (and under-) tones, the singer is a singular presence. His voice still resonates as it has for the past four decades and the musicians were very tight.
No Earplugs
LCD Soundsystem Still Have the Edge
It was a good vibe in the Roxy. A wide range of ages were on display, including a surprisingly large percentage of Gen Zs in attendance.
False Corners Drop ‘Doobie’
Across this project, Shaw demonstrates both experience and skill in his songwriting and musicianship, having performed music professionally for half his life. Bringing in talented vocalists like Kay has proven to be a winning strategy.
Marr Drops Double Live Album on RSD25
Performing “Please, Please, Please, Let Me Get What I Want” on acoustic guitar was pure magic, as not a single soul in the arena was quiet; everyone there could easily be credited in the liner notes as “backup singers.”
Gonzalez and Sloan Brothers Split Custody on New EP
Pecking away at what sounds like a kid’s xylophone, Gonzalez has simplified a well-written tune into an ode to his bride, we’re assuming (raise your hand if you married up, too).
Isbell at His Peak
The man’s had a rough couple of years, mainly caused by the dissolution of his 10-year marriage to Amanda Shires. Given that many of his songs have been inspired by or about her, one might wonder how he can still perform those lyrics.
Patterson Hood is Evolving
The band ran through all 10 tracks from ‘Trees & Screams,’ adding something from each of his prior solo efforts. Known for his deep dive of covers from favorite artists, Hood did not disappoint.
Prolific Welles Delivers 63-Song Manifesto
He’s Dylan and Kurt, Tom T. Hall and Fogerty. He is John Prine and Mick. Check out his covers as he breathes new life for a new generation into many of these artists’ classics.
Isbell Begins Again on New Solo Album
The songs on ‘Foxes’ could be interpreted with different muses as the focus. But that’s the beauty of Isbell’s songwriting—like all great artists, he leaves space for listeners to find their own meaning and emotional responses in the gaps.
Patterson Hood is the Songwriter We Need
The rockness of “The Van Pelt Parties,” backed by Asheville’s own Wednesday (Hood’s current favorite band), is immediately evident. His history with DBT has caused fans to attempt a label. Not that easy, as they veer from rock, into country, folk, Americana, and more.
NO EARPLUGS 