Promoting the band’s eighth studio album has illustrated that famous Finn passion for entertaining and connecting with fans. For almost four decades, this evolving group of musicians has created some of pop music’s most lasting memories and there appears to be plenty of fuel left in that creative tank.
The genre-bending trio has seemingly matured with age, and as a result experienced the riches of self-confidence and assuredness. The culmination of each musician’s life-experience in music is evident and refreshing here.
Call Gustaf what you will: art-punk, post-punk, no-wave…there’s no one out there sounding like this. Gammill exudes a Harley-Quinn-meets-Emma-Stone vibe from which you cannot look away.
The mass of humanity crowding the mainstage proves Shaky Knees has become a major contender in the music festival competition around the country.
Asking his fans to, “Unplug the jukebox and do us all a favor,” Ant was clearly a beneficiary of lots of love and some serious cash flow at the merch table.
Madge can be extolled for her longstanding support of the LGBTQ+ community. An entire act was dedicated to the AIDS epidemic of the 1980s with hundreds of floating pictures showcasing those affected by the virus.
Known for his outspoken views on politics and simply being a decent person, Isbell shined on “Save the World.” The song delves into the Uvalde school shooting and parents’ life mission to keep our children safe.
Imagine a songwriter pairing with four vocalists who bring their unique styles and personalities, creating a sort of Myers-Briggs personality types set of songs. This would be that.
The band never really got off the ground outside of the small farming community of Norborne, Missouri about an hour east of Kansas City, but what a story DePugh weaves.
“She’s My Girl” is a gem of a tune and definitely the antithesis of a DBT song, a prototypical, straightforward power pop gem, reminiscent of The Beatles’ “From Me To You.”
NO EARPLUGS 