“Club Shadow” serves as the perfect remedy for those suffering from low energy or a weak heartbeat. This coal burner is designed to get fans on their feet, with DuBois encouraging, “You belong.” It’s a lively rocker.
Finn skillfully navigates the feelings of love and loss. The album title may reflect a sense of projection, as his universe (and personal modus operandi) thrives on hyperactivity.
On the title track “Road to Redemption,” Mudcat is clearly sharing personal life lessons when he sings, “My tribulations you may not see / I’ve been through hell I’ll be redeemed,” all the while mixing in flashes of that Bo Diddley beat.
As debut albums go, ‘Twenty Seven’ leaves an unforgettable impression on listeners. Skillfully produced by Duane Lundy (Sturgill Simpson, Jim James, Ringo Starr), the tracks flow as gracefully as Taylor’s fluid onstage movements.
Famous for that neo-psychedelia sixties sound, the songs here are painstakingly relevant in 2025. The first single, “Invisibilia,” is a tune about that imaginary girlfriend we’ve all have (right?).
Jourgensen’s style has not changed, rife with Goth over- (and under-) tones, the singer is a singular presence. His voice still resonates as it has for the past four decades and the musicians were very tight.
It was a good vibe in the Roxy. A wide range of ages were on display, including a surprisingly large percentage of Gen Zs in attendance.
Across this project, Shaw demonstrates both experience and skill in his songwriting and musicianship, having performed music professionally for half his life. Bringing in talented vocalists like Kay has proven to be a winning strategy.
Performing “Please, Please, Please, Let Me Get What I Want” on acoustic guitar was pure magic, as not a single soul in the arena was quiet; everyone there could easily be credited in the liner notes as “backup singers.”
Pecking away at what sounds like a kid’s xylophone, Gonzalez has simplified a well-written tune into an ode to his bride, we’re assuming (raise your hand if you married up, too).
